Tangled Moose

Tangled Moose

A moose is not an elegant creature. Though powerful, those thick hindquarters, jug head, and humped back don’t arouse the same awe a mountain lion’s sleek muscles inspire. Moose legs, long and fine-boned as those of a racehorse, just look like matchsticks poking from a matchbox body. They don’t suggest freedom, or swift escape.

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The Social Virtues Series

tilt shift photography of green fruit
GMR
 

Recent Posts

Two Poems

Two Poems

The wounded deer
died in the impossible
garden. Did it become
the orchid that shouldn’t
be there, the cactus dying
in a rain puddle? The trestle
bridge carries more weight
than my body, but the heft
of a memory changes
everything.

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Two Poems

Two Poems

Horizontal pock-marked rocks lie
in the shallow swamp like tombstones
to fallen alligators—as if to say Cassius
lived here, Orion slept there, and Sirius
ate turtles just beyond this path.

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Green Mountains Review, based at Northern Vermont University, is an annual, award-winning literary magazine publishing poetry, fiction, creative nonfiction, literary essays, interviews, and book reviews by both well-known writers and promising newcomers.

14 + 15 =

Why Write? #12:  Edward Mullany

Why Write? #12: Edward Mullany

It seems fitting to conclude this season's Why Write? series as deftly as Daryl Scroggins began it. And who is more deft than Edward Mullany? Why Write?   An old woman tells the story of how, in her youth, she fell in love with a man who was not the man she would...

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Why Write? #11:  Suzanne Wise

Why Write? #11: Suzanne Wise

Alice Fulton has said of Suzanne Wise's work that "it bristles with the struggle to define and comprehend the absurd component of evil and despair." Here in her "Why Write?" piece she turns toward the "monastic devotion" that it takes to write, to look Reality...

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GMR Turns 25!

  We're thrilled to announce our upcoming 25th Anniversary Retrospective issue, out later this spring.  This issue will celebrate the very best poetry, interviews, and essays on poetry from the magazine’s first quarter-century. We’ll also have a special “Talk...

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Why Write? #10: Vanessa Blakeslee

Why Write? #10: Vanessa Blakeslee

Fiction writer Vanessa Blakeslee's "Hospice of the Au Pair," from our Fall 2010 issue, introduces a powerful new voice in fiction. Here is the rare early writer who knows how to build compelling narrative, whose stories hit the ground running -- driven forth always by...

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Why Write? #9:  Anselm Berrigan

Why Write? #9: Anselm Berrigan

Anselm Berrigan digs irrelevance.  His most recent book, Notes from Irrelevance (Wave Books, 2011), excerpted at length in our spring 2011 issue, is a sixty-five page poem that grinds its way into that space where we become irrelevant even to ourselves, our desires...

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Why Write? #8: Jacob Paul

Why Write? #8: Jacob Paul

Novelist Jacob Paul's narrative gusto makes it easy to forget that he is essentially a meditative writer. Even as we're sped along by the meaty plot, exuberant comedy, and crackling dialogue, Paul's fluidly reflexive prose cycles us deeper and deeper into what can...

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