The Social Virtues Series

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Recent Posts

End Times for the Poker Face

End Times for the Poker Face

Growing up, one of my favorite shows was My Favorite Martian. If you’re not sufficiently ancient or addicted to terrible — I mean, retro-cool — TV to remember, Ray Walston’s title character looked like a human but had knitting-needle antennae he could raise from the back of his head, plus an aluminum foil spacesuit and other unspecial effects. Bill Bixby, his Hulk days still ahead, spent three seasons in the 60s trying to conceal from the neighbors that Uncle Martin was an alien. Hijinks ensued.

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Canceled

Canceled

Some canceled and some didn’t. They canceled because canceling was proposed. They said yes, I will, and canceled. Others said no but had to cancel anyway.

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Green Mountains Review, based at Northern Vermont University, is an annual, award-winning literary magazine publishing poetry, fiction, creative nonfiction, literary essays, interviews, and book reviews by both well-known writers and promising newcomers.

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Afterword

Afterword

Jeffrey Harrison is the author of Incomplete Knowledge (2006), a runner-up for the Poets’ Prize; Feeding the Fire (2001); and The Singing Underneath (1988), chosen by James Merrill for the National Poetry Series.

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Cartwheel

Cartwheel

We played croquet in the yard, cartwheeling when we felt it. When her mom would call us in for lunch, we’d save the game for later, or the next day, or the next one. Her mother smoked those minted cigarettes . . .

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Why Write? #12:  Edward Mullany

Why Write? #12: Edward Mullany

It seems fitting to conclude this season's Why Write? series as deftly as Daryl Scroggins began it. And who is more deft than Edward Mullany? Why Write?   An old woman tells the story of how, in her youth, she fell in love with a man who was not the man she would...

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Why Write? #11:  Suzanne Wise

Why Write? #11: Suzanne Wise

Alice Fulton has said of Suzanne Wise's work that "it bristles with the struggle to define and comprehend the absurd component of evil and despair." Here in her "Why Write?" piece she turns toward the "monastic devotion" that it takes to write, to look Reality...

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