Beholding Hope: A review of Jeffrey Levine’s At the Kinnegad Home for the Bewildered

Beholding Hope: A review of Jeffrey Levine’s At the Kinnegad Home for the Bewildered

In At the Kinnegad Home for the Bewildered, Levine begins his cinematic collection with the lifeblood line of the book in the second poem: “we know there is something more.” As he shifts in and out of the domestic and the divine in his poems, we feel a deep longing for kinship and connect with a speaker who is unabashed in his belief in what isn’t wholly known. Sometimes, we are located within a piece of art, and at other times, we are right in the middle of a myth or standing there, cooking in his kitchen.

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The Social Distance Reading Series

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Notes from Isolation

Notes from Isolation

All day I watch boats from the living room window. I do other things, of course, but I always come back to the boats—yachts, skiffs, catamarans. Occasionally, there’s even a dinghy, white or blue, with a small figure aboard, paddling madly.

I used to think there could be nothing lonelier than boating, but these days, I have reconsidered.

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Do-gooders

Do-gooders

Warm, radiant afternoon after days and days of rainy gloom,
the girls bursting with born-again good intention.
“I want to eat more vegetables. Carrots and broccoli and green beans,”
Giulia announces from her car seat.

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Green Mountains Review, based at Northern Vermont University, is an annual, award-winning literary magazine publishing poetry, fiction, creative nonfiction, literary essays, interviews, and book reviews by both well-known writers and promising newcomers.

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On Fasting

On Fasting

G.C. Waldrep’s most recent collection, Your Father on the Train of Ghosts (BOA Editions, 2011), was a collaborative project with the poet John Gallaher.

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The New Issue Is Here!

The Winter 2012 issue is here, with a special feature on Eileen Myles, the Neil Shepard Prize winners, and a whole mess of new poetry, fiction, and nonfiction.

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Afterword

Afterword

Jeffrey Harrison is the author of Incomplete Knowledge (2006), a runner-up for the Poets’ Prize; Feeding the Fire (2001); and The Singing Underneath (1988), chosen by James Merrill for the National Poetry Series.

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Cartwheel

Cartwheel

We played croquet in the yard, cartwheeling when we felt it. When her mom would call us in for lunch, we’d save the game for later, or the next day, or the next one. Her mother smoked those minted cigarettes . . .

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