The Social Distance Reading Series

GMR
 

Recent Posts

Notes on the Cinema of Depreciation

Notes on the Cinema of Depreciation

I’m sorry I stabbed Vann Marsden in the eye. It’s terrible that his wife had to die in the aftermath. The fact that she was already ill and couldn’t take the strain doesn’t alter my sadness over her passing, but when a director takes all the movies you love and remakes them as stark, near silent catalogs of gestures, the critic has to respond.

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Three Poems

Three Poems

The languor, the drive, the traffic, the parking,/the walking blocks to public beach access,/down past an atilt row of porta-potties,

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Green Mountains Review, based at Northern Vermont University, is an annual, award-winning literary magazine publishing poetry, fiction, creative nonfiction, literary essays, interviews, and book reviews by both well-known writers and promising newcomers.

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New Release: Turn It Up! edited by Stephen Cramer

New Release: Turn It Up! edited by Stephen Cramer

Turn It Up! Music in Poetry from Jazz to Hip-Hop, edited by Stephen Cramer, is a vibrant and hip anthology of 400 pages, including poems by everyone from Langston Hughes, Allen Ginsberg, and Rita Dove to Yusef Komunyakaa, Kim Addonizio, Kevin Young, and Danez Smith. The book contains 88 poets in all (the number of keys on a piano), and is split up into three sections: poems about jazz, poems about blues and rock, and poems about hip-hop.

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A Review of Kerrin McCadden’s KEEP THIS TO YOURSELF

Books in Conversation

To read Bodega by Su Hwang is to immerse oneself in a world, but to read this debut poetry collection in tandem with Minor Feelings by Cathy Park Hong is to deepen one’s understanding of what it means to be raised in the United States as a Korean daughter of immigrants. Both offer prismatic sides of living in a racialized nation where “Asian American” is a box to check off on official census documents, and another way to categorize human experience.

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Learning to Fly

Learning to Fly

My mother was a beautiful bird who fluttered around people in a state of constant agitation. Terrified of being trapped, she was always opening windows, even in the middle of January, and rushing out of doors “to catch a breath of fresh air.” Once outside, she would disappear in an instant, only to return hours later, the wind and leaves and twigs in her hair.

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Revealing the Personal in Bridget Lowe’s My Second Work: A Review

Revealing the Personal in Bridget Lowe’s My Second Work: A Review

To read a Bridget Lowe poem is to observe a gradual transformation, a transmutation of the ordinary into progressively more extraordinary metaphysical states. Anyone who read Lowe’s first book At the Autopsy of Vaslav Nijinsky will be excited to see, in her new collection My Second Work, a return of the same immense imagination, which she utilizes with surgical precision to prod at what makes us human.

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