Elegy

When the dog, at last, is satisfied, we descend
from the highest peak we’ve dared test our spikes

on, a moderate hill in the park where others in boots
have pressed a system for feet in the ice trails.

As a matter of consistency, we hike, pause
at the overlook for photos, turn to view the entire

mountain bowl, the ice unfurled across the water.
The hang gliders jump again at the chalet; they dawdle

across the soccer fields, a beautiful inflation
settling at the tree line. The dog favors them.

The trouble is, the mountains aren’t metaphors,
or the dog, or the ice. They are not windows or guides,

chutes to the next place we want. In coming to mourn,
we avoid it. We can only eliminate the trails

around us, one by one, for slick danger. All wrapped
together in hills, the low land and slush is ours.

 
 

Resurrection Bay
 

In trees hemming the park from the water, eagles volley
cry after cry across plate glass pavement. Past a basketball

frozen in the net, icicles lace pick-ups to the ground
and ravens line little shops with murals. In the coffee house,

I nestle with books in a chair by the vaulted window, pocked
by a hole the size of a tangerine, or a beak, I suppose,

the remaining pane cracked in joint as though strangely grafted.
The heat rambles out in wisps, like the hikers tracing

the ridge just prodding through deep fog. In an hour,
the eagles have met in one tree, still squalling at the bay.

 
 

Kate Partridge

KATE PARTRIDGE's poems have appeared or are forthcoming in Pleiades, Colorado Review, Alaska Quarterly Review, and Blackbird. Her chapbook Intended American Dictionary will be published by MIEL Books in 2016. She teaches at the University of Alaska Anchorage and serves as a co-editor for Gazing Grain Press.

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