A Deal

A Deal

I got the results from the paternity test and an offer for a new job on the same day. The paternity test was positive; I was the father. The new job was cutting meat at Chives, a specialty grocery store in Boulder. On my lunch break I texted my twin sister Maria that I wanted to share two things with her on Skype. I told my coworker, Lance, the news after work at Hank’s, our regular bar.

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The Social Distance Reading Series

GMR
 

Recent Posts

October Winds

October Winds

Another surly October morning on Rathdangan Farm, the name of our rocky little homestead in the foothills of the Sugarloaf Range, and Mother Nature was in a nasty mood. Her swirling wind bossed the sycamore leaves around the farmyard, and wisps of her clammy fog still clung to the steep mountain peak in the distance. My mother—we called her Mammy— was a whirlwind of work, as usual: milking cows, feeding calves and pigs, washing clothes, holding it all together.

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Are Your Affairs In Order?

Are Your Affairs In Order?

My wife and I are into season 3 of Victoria, the Masterpiece Theatre series that seems as long as the queen’s monarchial reign. It’s a slow-moving narrative in which a tea cup is picked up, put down. Then, for dramatic tension, the camera pans to a terrier that, on cue, lifts a hind leg to squirt on the carpet—a barbarous display in the palace household.

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The Monkey and the Girl

The Monkey and the Girl

Winnie’s 350-square foot studio that she called home resembled a submarine, she liked to say to strangers, to offer them a quick image of what it was like to live in small spaces. A submarine was dark and hollow, challenged by gravity. Her apartment was on the top floor of a walk-up tenement building in downtown Manhattan, and got afternoon light. But at night she could squint and conjure the resemblance. Not that she’d ever set foot inside of a submarine.

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Green Mountains Review, based at Northern Vermont University, is an annual, award-winning literary magazine publishing poetry, fiction, creative nonfiction, literary essays, interviews, and book reviews by both well-known writers and promising newcomers.

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Why Write? #12:  Edward Mullany

Why Write? #12: Edward Mullany

It seems fitting to conclude this season's Why Write? series as deftly as Daryl Scroggins began it. And who is more deft than Edward Mullany? Why Write?   An old woman tells the story of how, in her youth, she fell in love with a man who was not the man she would...

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Why Write? #11:  Suzanne Wise

Why Write? #11: Suzanne Wise

Alice Fulton has said of Suzanne Wise's work that "it bristles with the struggle to define and comprehend the absurd component of evil and despair." Here in her "Why Write?" piece she turns toward the "monastic devotion" that it takes to write, to look Reality...

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GMR Turns 25!

  We're thrilled to announce our upcoming 25th Anniversary Retrospective issue, out later this spring.  This issue will celebrate the very best poetry, interviews, and essays on poetry from the magazine’s first quarter-century. We’ll also have a special “Talk...

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Why Write? #10: Vanessa Blakeslee

Why Write? #10: Vanessa Blakeslee

Fiction writer Vanessa Blakeslee's "Hospice of the Au Pair," from our Fall 2010 issue, introduces a powerful new voice in fiction. Here is the rare early writer who knows how to build compelling narrative, whose stories hit the ground running -- driven forth always by...

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Why Write? #9:  Anselm Berrigan

Why Write? #9: Anselm Berrigan

Anselm Berrigan digs irrelevance.  His most recent book, Notes from Irrelevance (Wave Books, 2011), excerpted at length in our spring 2011 issue, is a sixty-five page poem that grinds its way into that space where we become irrelevant even to ourselves, our desires...

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Why Write? #8: Jacob Paul

Why Write? #8: Jacob Paul

Novelist Jacob Paul's narrative gusto makes it easy to forget that he is essentially a meditative writer. Even as we're sped along by the meaty plot, exuberant comedy, and crackling dialogue, Paul's fluidly reflexive prose cycles us deeper and deeper into what can...

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Why Write? #7:  Tony Magistrale

Why Write? #7: Tony Magistrale

A poet of place and love, Tony Magistrale's poems have large arms in which to envelope his readers. The force of this love is sometimes poignant sometimes painful, but always just right. A poet with backbone and a real heart, now that's nice.   Why Write? The...

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