GMR

 

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The World Already on Fire: Dzvinia Orlowsky’s Bad Harvest

The World Already on Fire: Dzvinia Orlowsky’s Bad Harvest

Bad Harvest is a resonant folk song that fills the chambers of the future with echoes of the past. Its complex twists of hereditary and personal relations with language and work open a chasm of concern for the future that Dzvinia Orlowsky locates and does a little dance on the edge of. She stares openly, even mockingly, into the pit of impermanence and unpredictability, spinning the prescribed doom and mortality of what we all know shall end: health, love, and livelihood.

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Two Poems

Two Poems

One can hold a crossbow and a pussy / Willow with the same affection. / One can dream her own body in the arms / of the blue Mary

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No One Should Feel That Alone

No One Should Feel That Alone

Jane was handing someone a bouquet of satay, / gushing about Muller’s Foreign Cinema and Laszlo, / when I told her about the abortion. A party / not the best place to breathe new disclosures, to say: / The baby would be three years old now.

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Green Mountains Review, based at Northern Vermont University, is an annual, award-winning literary magazine publishing poetry, fiction, creative nonfiction, literary essays, interviews, and book reviews by both well-known writers and promising newcomers.

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Two Poems

Two Poems

My subject, myself, my object, I / too have spent my whole life / hungry. Any human contact / brings news of me to me.

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Belemnite

Belemnite

Red lake of salt, crumbling edge of pus, far border of tender flesh / I tread around the bloody eye, daring the old impulse to jump / Saturday morning, the wound spills

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Putting Food By

Putting Food By

The achingly red Roma tomatoes / fill the bleached porcelain sink / like the bulbous detritus of summer. / The remnants of seed and skin / collide and float broken and hollow.

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The Somnambulist

The Somnambulist

Past the coffee table, its treacherous / corners; around the hushed ottoman; / pause in front of the flickering flat screen / as if I’d stepped right out of it. My family gapes.

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Three Poems

Three Poems

A quiet to these fields we called our place, / could almost hear the springs refeeding ponds, / fracked and gone with the deer and fox and grouse / thanks to the drilling’s thunder in the ground.

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Changes

Changes

The river changed course / By three feet. / Thus the willow withers from thirst. / Thus the rock is set alone like an altar. / Thus the grassy hill browns.

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2013

2013

The summer of 2013 / Was seen through rose tinted sunglasses / We gathered at Christa’s house, / Solemnly toasting to “the last year”

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Dust

Dust

How many little lives in between my fingernails, how many layers / of sod, of seed? This cold grass is all corpse and it’s only six o’clock /
in the evening. At the group home, I’ll spoon green beans and strained peaches / into my grandfather’s mouth, push them back onto his plate when he shoves

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