Lend Me Your Hand

Lend Me Your Hand

I arrived early at the Church of St. Mary at Westminster College to get my music together and try the piano. It was late April in Fulton, Missouri, cold and damp, and the morning haze set the church in a sort of numinous relief against the pervading Midwestern gray. I leaned against the large wooden door, stepped inside, and shook off the chill.

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Fuji Bay in Sioux City, slow Monday night, and The Bachelorette’s on TV. She’s stopped on her way back from the airport, in an attempt to self-soothe with sushi. Earlier in the day, she said goodbye to The Beloved in a different airport, then dozed on and off through two uncomfortable legs. Saying goodbye to The Beloved is always dreadful.

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This Is The Drill

You turn off the lights. You shut and lock the doors. If there are windows, you herd your students to a corner where they can’t be seen from the windows. You tell them it’s important they stay still. You tell them it’s important they stay silent. You use the tone of voice you reserve for only the most serious things. The tone of voice you once used with your own children when you told them never to shoot up. You only have one life, you once said, don’t throw it away.

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The Birds

Human beings ought to emulate the birds. / Every millisecond on TV is a birdbrained lie. / And I love TV very much so I can say it. / A soothing mixture, pain and plenty.

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Green Mountains Review, based at Northern Vermont University, is an annual, award-winning literary magazine publishing poetry, fiction, creative nonfiction, literary essays, interviews, and book reviews by both well-known writers and promising newcomers.

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