
Interview with Angela Narciso Torres
What Happens is Neither Four Way Books Feb 15, 2021 As a poet of memory, you are a miner of the past and, in this book, your family’s past. What did you learn about yourself, as a daughter and as a poet, while writing these poems? Writing about the past can be...
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What Comes Alive Through Death: A Review of Jill Bialosky’s Collection ASYLUM
This stunning book-length poem, broken up into 103 sections, examines the grief and trauma associated with losing a young sister from suicide. Threaded also through these lyrics is a conversation with Paul Celan’s Selected Poems and Dante’s Inferno.
Three Poems
The shoemaker labors over his leather, his work./A singular lightbulb illuminates his hands, like a ner tamid,
Three Poems
Hallmark does not make a card for this/for what we mean to each other,/for what we do when my kids are asleep./We are not married. Not husband and wife.

My Jewish Beard
These past few months, I’ve taken great amusement in others’ reactions to my newly bushy beard, and in their questioning why I’ve chosen to let it grow so full and long now that I’ve turned 60 and my beard has turned white.

Criminals We Know
The British call seagulls the “thugs” of the bird world. They “detest” the birds for snatching food from picnic tables and depositing splotches on cars. Pigeons and magpies come next on the list of most loathed, followed a few slots down by the unlikely sparrow who is simply “dull looking,” a criticism that seems dubious coming from a populace of oxfords, woolens, and tweeds.

The Poem
arrives like a serrated wing. / Cuts the medium on which it is inscribed. / Cuts the fabric of the real.

The Violence of Collision: Notes on Collage, Precarity & the Archive
In a co-authored essay, Priti Joshi and Susan Zieger observe that “Ephemerality might be described as the lived condition of an industrial modernity, founded on disposability, fluctuating value, and illusion.”

In Our Bundle
When we think of sticks, do we think tree; oh / bramble of me; what part of us, scatters wind, / becomes home to something other; how your / skinny bones in drape, mulberry limbs; oh slats / of light, ribs of; & dusk always resides in chest,

Sparkle Plenty
As kids, we don’t usually second guess adults. We tend to view them as infallible, since they’ve put in the time that we haven’t. So when Suzie told us that we were going to Broadway, I believed her. We all did. After all, everything we did was extraordinary, wasn’t it?

On Trains
Our parents constantly reminded us to stay away from the tracks. Parents are always nattering on about things to avoid—eating before exercise, eating before bed, eating in bed, crossing the street without looking both ways, acquiring a lover who is ten years older with an addiction to Xanax, not getting grossly drunk at a wedding and peeing in the azaleas—that it eventually becomes hard to imagine they had any fun in their own probably non-existent childhoods.

Two Poems
It’s enough to sit down in the middle of the street, / the garbage trucks picking up trash, / the school buses stopping and starting, / the dirty rain falling from the neon clouds;