Recasting the Sonnet: Review of Anna Maria Hong’s Age of Glass

Recasting the Sonnet: Review of Anna Maria Hong’s Age of Glass

The sonnet is inexhaustible. Magnetic, mesmerizing, bewitching, nearly every poet is drawn to the form at some point in their career, whether they long to write the perfect sonnet, the Shakespearean, Petrarchan or Spenserian, or they desire to break the form, queer it, manipulate it, celebrate its mutability; they want to discover what magic can happen within those fourteen lines.

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THE EFFECTS OF ALBRECHT DÜRER’S ETCHING ‘JEROME IN THE WILDERNESS’ ON ACUTE RESIDENTIAL, BEHAVIORAL HEALTH EMPLOYMENT

I found an F. I was at my job, with this kid, a boy, when I stepped on it: a cube, bevel-edged small; a bead: F. Like a lion thing, a thorn. Ouch, I coulda said, woulda, but this boy was watching, and I was wearing my sneaker shoes, their like-Faith cushiony soles. And the boy, no saint, like martyring Jerome’s Lion, he stopped walking when I did. He watched me lift my left foot. The cube thorned into my sneaker’s cushiony sole, like Faith. The boy’s mom is dying, so I Lioned for him: Ha.

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Wanting

He had been fingering his sax mutely from behind the door. “No pretending you forgot something in the living room. No ‘Oh, I’m just coming out to get a glass of water.’” Lilly had gone through these provisions like a lawyer walking through a contract, even asking him to place hand over heart and swear. “But what’s all this?” he’d said, hurt. “Don’t you trust me?” “Not one bit,” she’d retorted. “I know you, Gaurav.”

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Green Mountains Review, based at Northern Vermont University, is an annual, award-winning literary magazine publishing poetry, fiction, creative nonfiction, literary essays, interviews, and book reviews by both well-known writers and promising newcomers.

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A Deceptively Simple Word Problem

A Deceptively Simple Word Problem

I have always enjoyed a deceptively simple word problem. When used in this context, the adverb could mean both that the word problem is deceptive in pretending simplicity, but also that it is simple despite its deceptively intimidating appearance. The former iteration is the case, here.

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You Haven’t Said No

You Haven’t Said No

Hiram had been avoiding the gay son of his recently deceased friend Tru Rasmussen. First, prior to his friend’s passing, he had run into the young man, Eldon, and his fiancé, Jasper, when they were registering for wedding gifts at Wal Mart. At the time, he didn’t think Eldon could’ve recognized him.

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Two Poems

Two Poems

This guy Lev, at the dinner party said, / If you don’t want your kids to have sex don’t finish the basement. / I don’t remember anything anymore, my 52 year old brain a soggy piece of kale, / but I remembered what Lev said.

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Two Poems

Two Poems

A room of solitude, the world. / Out the window huffs of wind / do what they can to enunciate. You listen / like a monk. A votive hula flame.

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After the Shipwreck: A Review of SIREN by Kateri Lanthier

After the Shipwreck: A Review of SIREN by Kateri Lanthier

“I sing these songs all through the dark, after everyone’s left.” The myth of the sirens has been used throughout history, to shame women or empower them, but always to warn men—women too can be dangerous. Their songs shipwrecked men, or lulled them into a vulnerable sleep, in some myths the sirens were even sent to find Persephone who had disappeared into the underworld. Kateri Lanthier’s second collection Siren, is as many-layered and multi-faceted as the myth of the sirens.

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Five Stories

Five Stories

I worked in media monitoring for a long time. I’m talking over a decade. Ten years and two months to be exact. Boy did I know my way around media monitoring. It’s an international environment so we were gang-raping the English language every conference room we went into.

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