To read a Bridget Lowe poem is to observe a gradual transformation, a transmutation of the ordinary into progressively more extraordinary metaphysical states. Anyone who read Lowe’s first book At the Autopsy of Vaslav Nijinsky will be excited to see, in her new collection My Second Work, a return of the same immense imagination, which she utilizes with surgical precision to prod at what makes us human.
In her latest collection, Come the Slumberless to the Land of Nod, Traci Brimhall takes on the impossible task of all mothers: she tries to sing us to sleep. But even sleep can’t save us from the violence and chaos of the world. Even in sleep, there is a haunting, a symbolic language which speaks to us of the world we will return to upon waking.
I remember when you found your mother, said your uncle. / You close your eyes, / smell chlorine. See the backyard’s cedars, / bougainvillea shadow her swollen body.
The enormous collage, Jheri Now, Curl Later, by L.A. artist Mark Bradford has been a part of the Brooklyn Museum’s permanent collection for over fifteen years. My love affair and subsequent fixation with Bradford’s work began in the year 2004, during an early iteration of the museum’s First Saturday program
Waking from a troubled sleep, I turned / and asked my wife what time it was. / Who are you? she asked. Your husband, / I said. I eat grapefruit, repair the washer. / You’re not my husband, she said. Yes, / I am, I said. If you’re my husband, / then who prepares the coffee? I do, I said, / every morning. And the glass bottles:
And there you were, elegant and engaging, though not / with the people around you, more with the air of the room, / an intimacy between you that I sensed as I watched
She leaps up / Ready to answer / Ready to answer / In her session / We see many
The sonnet is inexhaustible. Magnetic, mesmerizing, bewitching, nearly every poet is drawn to the form at some point in their career, whether they long to write the perfect sonnet, the Shakespearean, Petrarchan or Spenserian, or they desire to break the form, queer it, manipulate it, celebrate its mutability; they want to discover what magic can happen within those fourteen lines.
THE EFFECTS OF ALBRECHT DÜRER’S ETCHING ‘JEROME IN THE WILDERNESS’ ON ACUTE RESIDENTIAL, BEHAVIORAL HEALTH EMPLOYMENT
I found an F. I was at my job, with this kid, a boy, when I stepped on it: a cube, bevel-edged small; a bead: F. Like a lion thing, a thorn. Ouch, I coulda said, woulda, but this boy was watching, and I was wearing my sneaker shoes, their like-Faith cushiony soles. And the boy, no saint, like martyring Jerome’s Lion, he stopped walking when I did. He watched me lift my left foot. The cube thorned into my sneaker’s cushiony sole, like Faith. The boy’s mom is dying, so I Lioned for him: Ha.
pull from the light three times daily / take in water all at once, then nothing all at once / despise the hands of children / upon the lids of the dead, weigh heavy