Two Poems

Two Poems

And there you were, elegant and engaging, though not / with the people around you, more with the air of the room, / an intimacy between you that I sensed as I watched

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GMR

 

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Recasting the Sonnet: Review of Anna Maria Hong’s Age of Glass

The sonnet is inexhaustible. Magnetic, mesmerizing, bewitching, nearly every poet is drawn to the form at some point in their career, whether they long to write the perfect sonnet, the Shakespearean, Petrarchan or Spenserian, or they desire to break the form, queer it, manipulate it, celebrate its mutability; they want to discover what magic can happen within those fourteen lines.

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THE EFFECTS OF ALBRECHT DÜRER’S ETCHING ‘JEROME IN THE WILDERNESS’ ON ACUTE RESIDENTIAL, BEHAVIORAL HEALTH EMPLOYMENT

I found an F. I was at my job, with this kid, a boy, when I stepped on it: a cube, bevel-edged small; a bead: F. Like a lion thing, a thorn. Ouch, I coulda said, woulda, but this boy was watching, and I was wearing my sneaker shoes, their like-Faith cushiony soles. And the boy, no saint, like martyring Jerome’s Lion, he stopped walking when I did. He watched me lift my left foot. The cube thorned into my sneaker’s cushiony sole, like Faith. The boy’s mom is dying, so I Lioned for him: Ha.

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Green Mountains Review, based at Northern Vermont University, is an annual, award-winning literary magazine publishing poetry, fiction, creative nonfiction, literary essays, interviews, and book reviews by both well-known writers and promising newcomers.

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Red Tide

Red Tide

Robby Johnson sits at the bar drumming his fingers on a bottle of Bud. He’s been sitting in that same spot, two stools from the door, for the past two weeks. Since his dad and brother died. The only other person at the bar this early is Jimmy.

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Sestina

Sestina

I climbed another mountain and spat on a boulder / because climbing a mountain means nothing. To fish / from the middle of the stream, fresh catch flailing / breathlessly on the shore, gasping frivolous moonlight, / their widened eyes confused: that is my percussion
of temptation, the drum I’d rather follow through the rain

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