I learned a lot from the free museum lecture on the Reformation, 
how it wasn’t really Holy or Roman or an Empire at all
when I step back and let the big picture blur. That night
at the trattoria, a stranger with thinning gray wisps 
and shadow for shave declared himself sober thirty years
for all the restaurant to hear. He spat mouthfuls of red liquid
into an urn, blood-colored murk from goblets that were lined up 
like spent soldiers around his manic face at the tasting table.
I could feel the unspoken wars, swirling and tense in his 
high-priced tannins. That night, he gave me a bad painting he’d made.
My patience for unbidden gifts with conditions grows weary
with age: little indulgences, hidden fundraisers,
the politicians buying their way to the top, heaven a gilded
locker room under the moon’s yellow eye, glowing wide. 
Even Martin Luther had a change of heart for the darker 
when he began to lack followers. In the beginning, 
God fed the rules to the horizon, his dogs crying in constellation, 
and I’ve been staring up at the sky, amazed, ever since 
like I do at the fine-cut stars flashing me from pawn shop windows 
as I pass stumbling towards home on the darkest day of the year. 

 
 

Michelle Bitting

MICHELLE BITTING's third collection is The Couple Who Fell to Earth named to Kirkus Reviews' Best Books of 2016. She has published poems in The American Poetry Review, Narrative, Prairie Schooner, The New York Times, Vinyl Poetry, Plume, Diode, the Paris-American, Thrush, Raleigh Review, AJP, Verdad, Fjords and others. Poems have appeared on Poetry Daily and Verse Daily, have been nominated for Pushcart and Best of the Net prizes, and most recently, The Pablo Neruda, American Literary Review and Tupelo Quarterly Poetry contests. www.michellebitting.com.

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